'Color should be used to create specific moods. Of course our cultural background plays a significant role in that. Countries closer to the equator are more colorful in all ways than countries in the northern parts. Yet nearly everywhere around the world the same rules can be applied. Certain cool colours calm down the emotions, while hot colours create aggression in emotions.'
I can tell that this book is going to very useful in the pre-production of my film, as well as taking care of a couple colour theory blog posts (Thank you, Hans!) so let's get into it!
'The color in our films corresponds with specific events in the story, and just as there is an ''emotion/action curve'' there should be a ''color mood curve.'' '...For example, a love scene will need different colors than a suspense scene. At the end of the film, the color is especially important to build up the climax.'
So how can you use this? Well you could gradually transition the colours to follow the mood of the film or you could suddenly contrast the colour/mood to match the dramatic changes in the story.
I think that Bambi has a few very good examples of 'color mood curve' and also dramatic uses of colours/hues.
For example, above on the left- in the top panel when Bambi's mother dies the colours are very bleak- mostly blue hues and dark silhouettes. The mood is exactly what you would expect; depressing or sad. Whereas in the panel below, the forest fire scene, lots of red/purple hues are used which cause an alert or 'dangerous' mood.
I think that Bambi has excellent examples of dramatic colour change to emphasise the story arc. In the panels above the colours go from very regular and bright to sudden bright hues and lots of colour, which almost 'wake us up' and help to exaggerate the panic of the fight scene.
That's all for now, I hope you learned something!
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